Showing posts with label Efren Gonzales. Show all posts
Showing posts with label Efren Gonzales. Show all posts

Saturday, November 17, 2018

Love Letters to my life #5: Coin-toss days

A painted garage on Independencía
by Joyce Wycoff


It was Day of the Dead but I couldn’t decide how to spend it. 
 
Should I stay home and have a nice quiet day or go out and see what was going on in the village? 
 
I had already experienced Day of the Dead here last year. I knew what to expect: altars on the street, people in the cemetery beginning a day of honoring their ancestors, flowers everywhere. I was torn; wanting both, two things that couldn’t exist simultaneously. 
 
Finally I tossed the coin, grabbed my camera and headed out, determined to at least vary the route between my house and the cemetery.

I seldom walk down Independencía even though it has always been a favorite. Immediately, I started seeing lovely signs, details and wall art I’d forgotten or never seen.

 
 
Vision Nocturna, Efren Gonzalez, 2008
And, as soon as I turned onto Ocampo, I began to see altars on the street. And, while they are always similar, they are also always unique and compelling. I had never seen this "family tree" treatment.
 


 I love the bits of philosophy that show up on the walls.



This one from the playwright Lope de Vega. Google Translate gave me a very unsatisfactory translation but Wikiquotes gave me this to ponder:

"But life is short: 
while one lives, everything is lacking; 
when one is dead, everything is superfluous."

Finally, I arrived at the cemetery where everything was abuzz with activity. 


Walking into the cemetery, I noticed a huge pile of "trash" ... flowers and arrangements removed the day before on cleaning day.


As I walked the narrow paths through the graves, I looked for good "shots," trying not to interfere with the processes of others.


However, I soon noticed that some graves were bare, apparently forgotten. For some reason, that bothered me and I wondered why they were left behind. It didn't seem right in this place where there was so much attention and memory lavished on almost all the graves.

I went back to the trash pile and began to rescue flowers, most of which were still quite beautiful, and distribute them to the barren graves. In the process, I discovered the grave of a local writer, Dane Chandos and decided to read his books about early Ajijic. (See blog post here.)

Later, during a conversation with the founder of a local writers' group, we decided to come back next year and honor him as one of our ancestors and replace his broken gravestone.

Somewhere along the line, I realized I was having an amazing day. That what looked like a coin-toss, was something else indeed. Taking the effort to go out to an unknown possibility showered me with joy and made me grateful to be alive.

The rest of the day was filled with altars on the plaza, sawdust paintings, giant Catrinas, visits with friends and a candle lighting at Ajijic's unique Wall of Skulls.

In total, an amazing day. I hope I remember this the next time I think I'm facing a "coin-toss" day.







Way too many of the altars honored young people.


Artist, Efren Gonzalez before the lighting







Saturday, July 22, 2017

Aquí en México


The face of Mexico

What a cultural feast the last two days have been!

Alcatraz (a flowering plant)
Art Auction. There was an art auction in the plaza to benefit two local families, hosted and auctioned by well-known local artist and muralist Efren Gonzales. I, of course, did not plan to buy anything, but, of course, did. I fell in love with this painting by Xill (pronounced Jill) Fessenden. It positively glowed and I was delighted that it was somewhat within my budget.

Mariachi concert. I’ve never been a fan of mariachi music so I decided to attend a concert, especially since this music originated in my new home state of Jalisco. There’s definitely a difference between concert level mariachi music, recognized by UNESCO as an Intangible Cultural Heritage, and what I was used to in restaurants. 

There were ten musicians playing violins, guitars (including a vihuela, a high-pitched, round-backed guitar and a bass guitar called a guitarrón that provide rhythm) a trumpet and a Mexican folk harp which the harpist played with blinding speed like a jazz instrument during one solo. It was the older guy’s birthday (I think) and he sang a couple of solos. What a voice! He could hold a high octave note so long most of us were growing uncomfortable.

Another treat of the concert were songs by Lola, La Tequilera (as far as I can tell, that means someone who can make tequila.) While I didn’t know what most of her words were, she belted one out with such force and emotion, it made me weep. And to top it off, costumed dancers who were a delightful sweep of color and rhythm.

What made the evening truly special, though, was that the mariachis were backed up by a local high school symphony who were given opportunities to solo. It may sound trite, but the evening had so much heart.

Celebration. To celebrate International Love and Gratitude to Water Day in honor of the work of Dr. Masaru Emoto, there were many ceremonial activities at the malecón including dances, poetry, and music. It was a feast for the senses and here are a few photos. Unfortunately, I don’t have names for these people yet but hope to soon.

A woman read a poem by Nezahualcoyotl, "Coyote who Fasts") (April 28, 1402 – June 4, 1472) who was a philosopher, warrior, architect, poet and ruler of the city-state of Texcoco in pre-Columbian era Mexico.  In the poem there is a listing of things found here in Mexico, thus the refrain “Aquí en Mexico."

According to Wikipedia: Nezahualcoyotl is best remembered for his poetry, but according to accounts by his descendants and biographers, he had an experience of an "Unknown, Unknowable Lord of Everywhere" to whom he built an entirely empty temple in which no blood sacrifices of any kind were allowed — not even those of animals. However, he allowed human sacrifices to continue in his other temples.

Here are a few more photos from the ceremony.